Washington National Cathedral — Washington, D.C. (1907–1990)
Historical Facts
Name: Cathedral Church of Saint Peter and Saint Paul (Washington National Cathedral)
Location: Mount St. Alban, Washington, D.C.
Construction: 1907–1990 (83 years)
Architectural Style: Neo‑Gothic / English Gothic Revival
Architects: Frederick Bodley, Henry Vaughan
Materials: Indiana limestone, steel framing, leaded glass
Affiliation: Episcopal Church
Notable Features:
- Sixth‑largest cathedral in the world
- 301‑foot central tower rising above the city
- Flying buttresses, ribbed vaults, and carved grotesques
- The Space Window containing a piece of lunar rock
- A commanding hilltop site aligned with the city’s monumental core
- A national house of prayer used for state funerals and civic rituals
Washington National Cathedral was conceived as a spiritual counterpoint to the political power of the capital — a Gothic monument built not in medieval Europe but in the modern American republic. Its construction spanned most of the 20th century, blending traditional stone‑carving with modern engineering.
The cathedral’s placement on Mount St. Alban, one of the highest natural points in Washington, was deliberate: a symbolic and visual anchor overlooking the city’s ceremonial axis.

According to Tartaria lore…
In the mythic Tartarian framework, Washington National Cathedral is interpreted as a Potomac Ridge Resonance Engine, a monumental harmonic structure built on a geomantic rise above the capital.
The Hilltop as a Power Seat
Tartaria storytellers claim Mount St. Alban is a natural energy promontory, a ridge where the Potomac’s geomagnetic currents bend. The cathedral’s placement is seen as an intentional anchoring of this flow.
The Gothic Form as a Frequency Lattice
The flying buttresses, ribbed vaults, and pointed arches are interpreted as components of a harmonic lattice, designed to channel vertical and horizontal resonance through the stone shell.
The Central Tower as a Sky Conduit
The 301‑foot tower is framed as a vertical receiver, capturing atmospheric frequencies and distributing them through the nave and transepts.

The Limestone as a Memory Stone
Indiana limestone — dense, pale, and fine‑grained — is viewed as a high‑capacity resonance medium, capable of storing environmental vibration and solar imprint.
The Space Window as a Celestial Node
The lunar rock embedded in the Space Window is interpreted as a cosmic anchor, linking terrestrial resonance with extraterrestrial material — a symbolic “sky key” in the Tartarian reading.
A Modern Cathedral Built on an Ancient Pattern
In the mythic narrative, the cathedral is considered a continuation structure, echoing a lineage of dome‑and‑spire engines that once dotted older civilizations. Its Gothic form is seen not as revival but as reactivation.

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